Window cards were displayed in locations 
      OUTSIDE of the theatre. They were printed on a heavier, cheaper card stock. 
      They were placed in the windows of stores, barber shops. beauty salons, 
      doctor and dental offices, bakeries, on telephone poles, etc. in and around 
      a community. Since they were distributed in large numbers, theatres would 
      normally purchase them in bulk. Because so many more window cards were needed, 
      they were printed using a cheaper process. Thus, window cards lack the color, 
      detail and splendor of other sizes of movie art. This is particularly true 
      of the window cards produced by the independent printers. 
    There are three basic sizes of window 
      cards:
    
      
    
    
    The artwork on the window cards released 
      by movie studios and/or the NSS may or may not be 
      the same as that of the one-sheet. They are normally 
      printed in full color, but lack the detail, color and artwork found on other 
      size posters. The standard window cards have a top blank border of approximately 
      4" to 6" inches. This border was used by the theatre to write in the dates 
      and show times of the featured film. Sometimes the theatres would staple 
      paper banners with the theatre's name in this blank area. Midget window 
      cards also have a border on the top. Jumbo window cards do not. 
       
    Click HERE 
      for Size Comparison
      
       
    
History
    Secondary Printers 
      of Window Cards
    Window Card As 
      a Collectable
    
    
      
    HISTORY
    Standard sized window cards were first 
      introduced in the 1910's, shortly after the one-sheet 
      and lobby cards. The earliest window cards were 
      produced in both the standard and the jumbo sizes. Midget window cards were 
      not introduced until the 1930s.
    Window cards were initially printed by 
      the movie studios and/or the National Screen Service ("NSS") 
      on cheap card stock, which made them more versatile than the paper materials. 
      
    Window cards were initially printed using 
      a brown-and-white rotogravure process. In 
      the 1920's, studios began producing their card stock materials through a 
      process known as  photogelatin/collotype 
      or heliotype. This process initially offered one, than two, than three colors.
    Window cards were designed as a "mass 
      advertising" tool. However, around 1984, advertising strategies changed 
      and window cards in all three sizes were phased out. Movie studios felt 
      they could better utilize mass advertising dollars in TV, radio and newspaper 
      advertising. In addition, theatres introduced the  
      mini sheet which is produced in larger numbers. 
    
     
    SECONDARY PRINTERS 
      OF WINDOW CARDS 
    
 
    
In the 1940's, several independent printing 
      houses began releasing less expensive versions of the studio and/or NSS 
      -produced window cards. These cheaper alternatives were particular popular 
      with small city theatres and theatres located in rural areas. Because window 
      cards were purchased in bulk, the independently produced window cards were 
      much more cost effective for the theatres and film exchanges than were the 
      studio/NSS-produced versions.
    The three main independent printing houses 
      known for their window cards were:
    
    Benton Card Company 
      
    Globe Company
    Hatch Show Prints.
    The independent printers began producing 
      their version of the standard size window cards around the 1940's. Because 
      their main intent was to provide an even cheaper window card for use by 
      theatres and film exchanges, the window cards produced by these independent 
      printers were even more lackluster than the movie studio versions. Most 
      of the window cards were printed in either one, two or three colors. The 
      artwork was normally different from the studio/NSS-produced materials.
    AS A COLLECTABLE 
      
    Because window cards were produced in 
      large quantities, they are not considered as valuable as other sizes of 
      posters. Within the category of window cards, there is a wide disparity 
      in the value of studio-produced window cards and those produced by independent 
      printers. Studio/NSS-produced window cards are considerably more collectible 
      than those that were independently produced. In fact, some collectors do 
      not even consider the independently-produced window cards to have any value 
      at all.
    Window cards, particularly those produced 
      by the studios and/or the NSS, are popular with some collectors because 
      of their frameable size and because they are cheaper to obtain than other 
      materials from the same time period. Even independently-produced window 
      cards are considered collectible to some, as they may be the only opportunity 
      to acquire materials on a particular movie.
    Window cards were normally shipped to 
      the theatre and/or film exhibitors flat. Since they were normally not originally 
      folded, window cards lose their value if they contain fold lines or creases. 
      Window cards also lose their value if the top blank border has been trimmed 
      off. Writing or other printing on the blank border of a window cards does 
      not affect its value as a collectible.
    Card Chart